| dc.coverage.spatial | Site: Centre Georges Pompidou (Paris, Île-de-France, France) AM 3760 P | en_US |
| dc.coverage.temporal | 1917 (creation) | en_US |
| dc.creator | Picasso, Pablo | en_US |
| dc.date | 1917 | en_US |
| dc.date.accessioned | 2016-08-23T18:13:34Z | |
| dc.date.available | 2016-08-23T18:13:34Z | |
| dc.date.issued | 1917 | en_US |
| dc.identifier | 267959 | en_US |
| dc.identifier.other | archrefid: 3325 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/184273 | |
| dc.description | Overall view with painted frame; This large composition (cat. Rais. 1, III, No. 23) is one of three paintings by Picasso done during his stay in Rome (17 March to end of April 1917). It notes the collage aesthetic, similar to the one practiced especially by Juan Gris. It is also characterized by a decorative dimension, probably induced by the atmosphere of the collaboration with Diaghilev's Ballets Russes on the "Parade" sets (one of four ballet productions with Picasso as set designer). Picasso used here only flat shapes, geometric, with economy, even an austerity in the limited range of colors. Source: Centre Pompidou [website]; http://www.centrepompidou.fr/en/ (accessed 5/19/2015) | en_US |
| dc.format.medium | oil paint on canvas | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction | en_US |
| dc.subject | Commedia dell'arte | en_US |
| dc.subject | Ballets Russes | en_US |
| dc.subject | Twentieth century | en_US |
| dc.subject | Cubist | en_US |
| dc.title | Harlequin and woman with necklace | en_US |
| dc.title.alternative | Arlequin et femme au collier | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 7A1-PICASSO-AFC-A01 | en_US |
| vra.culturalContext | French | en_US |
| vra.technique | oil painting (technique) | en_US |
| vra.worktype | painting (visual work) | en_US |
| dc.contributor.display | Pablo Picasso (Spanish painter, 1881-1973) | en_US |
