| dc.coverage.spatial | Site: University of California, Los Angeles (UCLA) (Los Angeles, California, United States) | en_US |
| dc.coverage.temporal | 1964 (creation) | en_US |
| dc.creator | Smith, David | en_US |
| dc.date | 1964 | en_US |
| dc.date.accessioned | 2013-01-29T20:19:32Z | |
| dc.date.available | 2013-01-29T20:19:32Z | |
| dc.date.issued | 1964 | en_US |
| dc.identifier | 189432 | en_US |
| dc.identifier.other | archrefid: 1803 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/97968 | |
| dc.description | General view; In Smith’s last, perhaps best-known series, the stainless-steel Cubis of the early 1960s such as Cubi xix (1964; London, Tate), his hand is present in the burnished surfaces, although necessarily excluded from the pre-cut shapes (a concession to his intractable material). Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 5/11/2009) | en_US |
| dc.format.medium | welded stainless steel | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction or non-objective | en_US |
| dc.subject | contemporary (1960 to present) | en_US |
| dc.subject | Twentieth century | en_US |
| dc.subject | Modernist | en_US |
| dc.title | Cubi XX | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-SD-CXX-A4 | en_US |
| vra.culturalContext | American | en_US |
| vra.technique | metalworking | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | David Smith (American sculptor, 1906-1965) | en_US |
