| dc.coverage.spatial | Site: University of California, Los Angeles (UCLA) (Los Angeles, California, United States) | en_US |
| dc.coverage.temporal | 1961 (creation) | en_US |
| dc.creator | Moore, Henry | en_US |
| dc.date | 1961 | en_US |
| dc.date.accessioned | 2013-01-29T20:19:16Z | |
| dc.date.available | 2013-01-29T20:19:16Z | |
| dc.date.issued | 1961 | en_US |
| dc.identifier | 189423 | en_US |
| dc.identifier.other | archrefid: 1801 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/97959 | |
| dc.description | Side view, showing the stylized legs; During the 1960s and 1970s financial success made it possible for Moore to work on a larger scale. Between 1959 and 1964 he created a series of two- and three-piece reclining figures, culminating in his largest work of that time, the bronze Reclining Figure (1963-1965) commissioned by Lincoln Center, New York. In earlier sculptures, the human figure echoed the forms of mountains, hills and valleys; in this series the metaphor is reversed: rugged cliffs, caves, rocks and dramatic sea-worn headlands become the human body. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 6/12/2009) | en_US |
| dc.format.medium | bronze | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction or non-objective | en_US |
| dc.subject | contemporary (1960 to present) | en_US |
| dc.subject | figural abstraction | en_US |
| dc.subject | Twentieth century | en_US |
| dc.subject | Modernist | en_US |
| dc.title | Two-Piece Reclining Figure, No. 3 | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-MH-TPR3-A3 | en_US |
| vra.culturalContext | British | en_US |
| vra.technique | casting (process) | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Henry Moore (British sculptor, 1898-1986) | en_US |
