| dc.coverage.spatial | Site: University of California, Los Angeles (UCLA) (Los Angeles, California, United States) | en_US |
| dc.coverage.temporal | ca. 1938 (creation) | en_US |
| dc.creator | Maillol, Aristide | en_US |
| dc.date | 1935-1938 | en_US |
| dc.date.accessioned | 2013-01-29T19:49:29Z | |
| dc.date.available | 2013-01-29T19:49:29Z | |
| dc.date.issued | 1935-1938 | en_US |
| dc.identifier | 189401 | en_US |
| dc.identifier.other | archrefid: 1799 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/97937 | |
| dc.description | General view, showing the front; Maillol began his career as a painter and tapestry designer, but after ca. 1900 devoted himself to three-dimensional work, becoming one of the most important sculptors of the 20th century. He concentrated almost exclusively on the nude female figure in the round, consciously wishing to strip form of all literary associations and architectural context. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 5/11/2009) | en_US |
| dc.format.medium | bronze | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | figure, female | en_US |
| dc.subject | female nudity | en_US |
| dc.subject | nude in art | en_US |
| dc.subject | Twentieth century | en_US |
| dc.title | Torso | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-MAA-T-A1 | en_US |
| vra.culturalContext | French | en_US |
| vra.technique | casting (process) | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Aristide Maillol (French sculptor, 1861-1944) | en_US |
