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dc.coverage.spatialSite: University of California, Los Angeles (UCLA) (Los Angeles, California, United States)en_US
dc.coverage.temporal1962-1963 (creation)en_US
dc.creatorHepworth, Barbaraen_US
dc.date1962-1963en_US
dc.date.accessioned2013-01-29T19:47:50Z
dc.date.available2013-01-29T19:47:50Z
dc.date.issued1962-1963en_US
dc.identifier189329en_US
dc.identifier.otherarchrefid: 1794en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/97865
dc.descriptionGeneral view; During this period her work became more geometric, harder and less human in its appeal, as in works of the mid-1960s such as Marble with Colour (Crete) (Rotterdam, Boymans-van Beuningen). Partly because of the increased pressure of public commissions, she worked increasingly in bronze. In the 1960s she acquired a much more spacious studio in St Ives, which made it easier for her to produce work on a larger scale. This is BH 304, edition of 7, casts at The British Library; Abbot Hall Art Gallery, Kendal; Aberdeen Art Gallery; Rijksmuseum Kröller-Müller, Otterlo; Franklin D. Murphy Sculpture Garden, University of California, Los Angeles; The Museum of New Zealand Te Papa Tongarewa, Wellington. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 6/12/2009)en_US
dc.format.mediumpatinated bronzeen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectabstraction or non-objectiveen_US
dc.subjectcontemporary (1960 to present)en_US
dc.subjectovoiden_US
dc.subjectvoiden_US
dc.subjectconcentric ovalsen_US
dc.subjectTwentieth centuryen_US
dc.subjectModernisten_US
dc.titleOval Formen_US
dc.title.alternativeOval Form (Trezion)en_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode6A1-HBA-OF-A1en_US
vra.culturalContextBritishen_US
vra.techniquecasting (process)en_US
vra.worktypesculpture (visual work)en_US
dc.contributor.displayBarbara Hepworth (British sculptor, 1903-1975)en_US


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