| dc.coverage.spatial | Site: University of California, Los Angeles (UCLA) (Los Angeles, California, United States) | en_US |
| dc.coverage.temporal | 1966 (creation) | en_US |
| dc.creator | Hepworth, Barbara | en_US |
| dc.date | 1966 | en_US |
| dc.date.accessioned | 2013-01-29T19:47:48Z | |
| dc.date.available | 2013-01-29T19:47:48Z | |
| dc.date.issued | 1966 | en_US |
| dc.identifier | 189328 | en_US |
| dc.identifier.other | archrefid: 1793 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/97864 | |
| dc.description | General view; During this period her work became more geometric, harder and less human in its appeal, as in works of the mid-1960s such as Marble with Colour (Crete) (Rotterdam, Boymans-van Beuningen). Partly because of the increased pressure of public commissions, she worked increasingly in bronze. In the 1960s she acquired a much more spacious studio in St Ives, which made it easier for her to produce work on a larger scale. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 6/12/2009) | en_US |
| dc.format.medium | bronze with applied green patina | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction or non-objective | en_US |
| dc.subject | contemporary (1960 to present) | en_US |
| dc.subject | ovoid | en_US |
| dc.subject | void | en_US |
| dc.subject | patina | en_US |
| dc.subject | Twentieth century | en_US |
| dc.subject | Modernist | en_US |
| dc.title | Elegy III | en_US |
| dc.title.alternative | Elegy III (Hollow Form with Color) | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-HBA-E-A2 | en_US |
| vra.culturalContext | British | en_US |
| vra.technique | casting (process) | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Barbara Hepworth (British sculptor, 1903-1975) | en_US |
