| dc.coverage.spatial | Site: Getty Center (Los Angeles, California, United States) 2005.106.2 | en_US |
| dc.coverage.temporal | 1978 (creation) | en_US |
| dc.creator | Frink, Elisabeth | en_US |
| dc.date | 1978 | en_US |
| dc.date.accessioned | 2013-01-29T19:47:29Z | |
| dc.date.available | 2013-01-29T19:47:29Z | |
| dc.date.issued | 1978 | en_US |
| dc.identifier | 189314 | en_US |
| dc.identifier.other | archrefid: 1781 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/97850 | |
| dc.description | General view, frontal; While living in France from 1967 to 1970, she began a series of threatening, monumental, goggled male heads. On returning to England, she focused on the male nude, barrel-chested, with mask-like features, attenuated limbs and a pitted surface, for example Running Man (1976; Pittsburgh, PA, Carnegie Mus. A.). Frink’s sculpture, and her lithographs and etchings created as book illustrations, drew on archetypes expressing masculine strength, struggle and aggression. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 5/11/2009) | en_US |
| dc.format.medium | bronze | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | contemporary (1960 to present) | en_US |
| dc.subject | nude | en_US |
| dc.subject | nude in art | en_US |
| dc.subject | Twentieth century | en_US |
| dc.title | Running Man | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-FEL-RM-A2 | en_US |
| vra.culturalContext | British | en_US |
| vra.technique | casting (process) | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Elisabeth Frink (British sculptor, born 1930) | en_US |
