| dc.coverage.spatial | Site: University of California, Los Angeles (UCLA) (Los Angeles, California, United States) | en_US |
| dc.coverage.temporal | 1934 (creation) | en_US |
| dc.creator | Arp, Hans | en_US |
| dc.date | 1934 | en_US |
| dc.date.accessioned | 2013-01-29T19:47:04Z | |
| dc.date.available | 2013-01-29T19:47:04Z | |
| dc.date.issued | 1934 | en_US |
| dc.identifier | 189294 | en_US |
| dc.identifier.other | archrefid: 1788 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/97830 | |
| dc.description | Context view in the UCLA Sculpture Garden; In his sculpture, as in his other work, Arp linked together humans and animals, vegetable and inanimate objects, the organic and the inorganic. Such surprising fusions occur, for example, in Pagoda Fruit (1934; Clamart, Fond. Arp) and Mirror Leaf (1962; Locarno, Pin. Casa Rusca), while in Three Graces (1961; priv. col., see Trier, cat. no. 263) the figures of a woman and a column are brought together. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 5/11/2009) | en_US |
| dc.format.medium | bronze | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction or non-objective | en_US |
| dc.subject | parks (recreation areas) | en_US |
| dc.subject | organic forms | en_US |
| dc.subject | Twentieth century | en_US |
| dc.subject | Modernist | en_US |
| dc.title | Hybrid Fruit Called Pagoda | en_US |
| dc.title.alternative | Fruit hybride dit la Pagode | en_US |
| dc.title.alternative | Pagoda Fruit | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-AH-HFCP-A1 | en_US |
| vra.culturalContext | French | en_US |
| vra.technique | casting (process) | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Hans Arp (French sculptor, 1886-1966) | en_US |
