| dc.coverage.spatial | Site: Saint Petersburg, Rossiya, Russia | en_US |
| dc.coverage.temporal | ca. 1766-1782 (creation) | en_US |
| dc.creator | Falconet, Etienne-Maurice | en_US |
| dc.creator | Falconet, Marie Anne | en_US |
| dc.creator | Catherine II, Empress of Russia | en_US |
| dc.date | 1766-1782 | en_US |
| dc.date.accessioned | 2013-01-29T18:23:27Z | |
| dc.date.available | 2013-01-29T18:23:27Z | |
| dc.date.issued | 1766-1782 | en_US |
| dc.identifier | 188635 | en_US |
| dc.identifier.other | archrefid: 1934 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/97171 | |
| dc.description | Looking northwest, the Senate and Synod buildings in the background; Through Denis Diderot, Falconet was introduced to the Empress Catherine the Great, who commissioned from him a bronze equestrian statue in honour of Peter the Great in St. Petersburg, an opportunity at last to give full scope to his talent. Initially much in favour with Catherine, Falconet saw his position gradually deteriorate, and he had to leave Russia before his work was unveiled in 1782. The originality of his conception--which combines a horse rearing on the summit of a steep rock with a hero represented as legislator rather than conqueror, eliminates any allegorical figure apart from the serpent of envy crushed beneath the horse’s hoofs, and has an inscription of only four words--makes the statue striking in its grandeur and simplicity. The head of the statue was modelled by his pupil Marie-Anne Collot [Falconet]. Pushkin wrote his famous poem "The Bronze Horseman" about the statue in 1833. The base was an immense boulder called the "thunder stone" which was calculated to be 7 x 14 x 9 meters before sculpting. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 4/1/2009) | en_US |
| dc.format.medium | bronze on granite base | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | rulers and leaders | en_US |
| dc.subject | Peter I, Emperor of Russia, 1672-1725 | en_US |
| dc.subject | rearing horse | en_US |
| dc.subject | serpent | en_US |
| dc.subject | tsar | en_US |
| dc.subject | Eighteenth century | en_US |
| dc.title | Peter the Great | en_US |
| dc.title.alternative | Bronze Horseman | en_US |
| dc.title.alternative | Mednyi vsadnik | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 1A2-R-SU-A3 | en_US |
| vra.culturalContext | Russian | en_US |
| vra.technique | carving (processes) casting (process) | en_US |
| vra.worktype | equestrian statue | en_US |
| dc.contributor.display | Catherine II, Empress of Russia (Russian patron, 1729-1796); Etienne-Maurice Falconet (French sculptor, 1716-1791); Marie Anne Falconet (French sculptor, 1748-1821) | en_US |
