Dome

North boundary railing, frontal view, showing the first bay east of the entry stair, detail, showing the Japanese "mon" theme evident in the metalwork; In 1895 a limited competition had been announced for the design of a building to house the Glasgow School of Art. Although the entries from nominated Glasgow firms were submitted anonymously, the authorship of Mackintosh’s proposals could not have been mistaken. As the cost limit would not pay for the entire building, it had been decided to proceed with the construction in two phases. The first stage, begun in 1896, was the eastern half to just beyond the entrance; this was followed ten years later by the western portion. The Glasgow School of Art therefore demonstrates Mackintosh’s organic planning whereby within a fixed frame elements are synthesized in response to changing design criteria. A good example is the introduction of the celebrated ‘hen-run’, a glazed corridor linking the eastern and western sections at second-floor level. The school’s site, a steep bluff falling from north to south, gives a huge increase in height between the entrance elevation on the north and the rear elevation to the south . The difference is not just one of scale because each façade, being the revelation of inner functions, has an individual identity. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 5/17/2009)