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dc.coverage.spatialSite: Père-Lachaise, Cimetière du (cemetery) (Paris, Île-de-France, France)en_US
dc.coverage.temporal1889-1899 (creation)en_US
dc.creatorBartholomé, Alberten_US
dc.date1889-1899en_US
dc.date.accessioned2013-01-11T19:02:42Z
dc.date.available2013-01-11T19:02:42Z
dc.date.issued1889-1899en_US
dc.identifier183276en_US
dc.identifier.otherarchrefid: 2184en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/90251
dc.descriptionUpper tomb detail, depicting 'all the people' as they enter the tomb symbolizing death; Soon after the death of his first wife in 1887, Bartholomé embarked on the chief work of his career: from 1889 to 1899 he worked on the stone Monument to the Dead in Père Lachaise cemetery, Paris, which, together with Rodin’s Gates of Hell, is one of the greatest expressions of Symbolist sculpture. This large stone sculpture in high relief, with its harmonious rhythms, its lyrical interlinking of figures and its sober modelling expresses in sculpture an ideal of refined restraint close to that of Pierre Puvis de Chavannes. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 7/17/2010)en_US
dc.format.mediumstoneen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectallegoryen_US
dc.subjectarchitectureen_US
dc.subjectdeath or burialen_US
dc.subjectfunerary arten_US
dc.subjecthuman figureen_US
dc.subjectmourningen_US
dc.subjectNineteenth centuryen_US
dc.subjectSymbolisten_US
dc.titleMonument to the Deaden_US
dc.title.alternativeMonument aux Mortsen_US
dc.title.alternativeMonument du Souveniren_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode2A2-F-P-PL-A7en_US
vra.culturalContextFrenchen_US
vra.techniqueconstruction (assembling) carving (processes)en_US
vra.worktypesculpture (visual work)en_US
vra.worktypemonumenten_US
dc.contributor.displayAlbert Bartholomé (French sculptor, 1848-1928)en_US


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