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dc.coverage.temporalcreation date: ca. 1514en_US
dc.creatorTitianen_US
dc.dateca. 1514en_US
dc.date.accessioned2009-05-11T20:54:52Z
dc.date.available2009-05-11T20:54:52Z
dc.date.issued1509-1519en_US
dc.identifier128088en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/39550en_US
dc.descriptionChrist appears to the Magdalen after the Resurrection to comfort her. At first she thinks he is a gardener; when she recognises him he tells her not to touch him - "noli me tangere" (let no one touch me) - as told in the Gospels (John 20: 14-18). Elsewhere, the Bible records that Christ will soon ascend to heaven and send the Holy Spirit down to his followers: he does not want them to cling to his physical presence. X-ray photographs show that Christ was originally painted wearing a gardener's hat and turning away from the Magdalen. The landscape was also drastically altered while the work was in progress. (National Gallery, London, website)en_US
dc.descriptiondetail, detail of Mary Magdalen's robeen_US
dc.format.extent108.6 x 90.8 cm (42.76 x 35.75 inches)en_US
dc.format.mediumoil painten_US
dc.format.mediumcanvasen_US
dc.relation.ispartof116798en_US
dc.rights(c) Arthur Steinbergen_US
dc.subjectLandscape in arten_US
dc.subjectMary Magdalene, Sainten_US
dc.subjectJesus Christ -- Apparitions and miraclesen_US
dc.subjectPainting, Italian --16th centuryen_US
dc.subjectArt, Italian --16th centuryen_US
dc.titleNoli me Tangereen_US
dc.typeImageen_US
dc.rights.accessAll rights reserveden_US
dc.publisher.institutionRepository: National Gallery (London, England) ID: NG270en_US
vra.culturalContextItalianen_US
vra.culturalContextVenetianen_US
vra.techniquepainting (image-making)en_US
vra.worktypeOil paintingen_US
vra.worktypePaintingen_US
dc.contributor.displaypainter: Titian (Italian, 1483-1576)en_US


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