dc.coverage.temporal | Creation date: 1975-1977 | en_US |
dc.coverage.temporal | Creation date: 1975-1977 | en_US |
dc.creator | Ruscha, Edward | en_US |
dc.date | 1975-1977 | en_US |
dc.date.accessioned | 2006-09-13T16:48:23Z | |
dc.date.available | 2006-09-13T16:48:23Z | |
dc.date.issued | 1975-1977 | en_US |
dc.identifier | 039978 | en_US |
dc.identifier.uri | http://hdl.handle.net/1721.3/2758 | en_US |
dc.description | full view, Twelve pastels from 1975-77 (High Priority in upper left) | en_US |
dc.format.extent | 57.79 x 73.03 cm (22.75 x 28.75 inches) | en_US |
dc.format.extent | 58.74 x 73.98 cm (23.125 x 29.125 inches) | en_US |
dc.format.extent | 57.79 x 72.55 cm (22.75 x 28.5625 inches) | en_US |
dc.format.extent | 58.7 x 74 cm (23.11 x 29.13 inches) | en_US |
dc.format.extent | 57.8 x 73 cm (22.76 x 28.74 inches) | en_US |
dc.format.extent | 57.5 x 72.7 cm (22.64 x 28.62 inches) | en_US |
dc.format.medium | paper (fiber product) | en_US |
dc.format.medium | pastels (crayons) | en_US |
dc.relation.ispartof | 126471 | en_US |
dc.relation.ispartof | 126472 | en_US |
dc.relation.ispartof | 126473 | en_US |
dc.relation.ispartof | 126474 | en_US |
dc.relation.ispartof | 126475 | en_US |
dc.relation.ispartof | 126476 | en_US |
dc.relation.ispartof | 126477 | en_US |
dc.relation.ispartof | 126478 | en_US |
dc.relation.ispartof | 126479 | en_US |
dc.relation.ispartof | 126480 | en_US |
dc.relation.ispartof | 126481 | en_US |
dc.relation.ispartof | 126482 | en_US |
dc.subject | Conceptual art | en_US |
dc.subject | Language and culture | en_US |
dc.subject | Words in art | en_US |
dc.subject | Art, American --20th century | en_US |
dc.subject | Pop art --United States | en_US |
dc.subject | Pastel drawing --20th century | en_US |
dc.subject | Pastel drawing, American | en_US |
dc.title | High Priority; Psychedelic-Indian-Guru-New Mexico-Fadeout-Photo-Realism; Nice, Hot Vegetables; Malibu=Sliding Glass Doors; Properties in Hollywood; Artists Who Make "Pieces"; Thermometers Should Last Forever; Those Of Us Who Have Double Parked; They Called Her Styrene; Lame Theme; Honey, I Twisted Through More Damn Traffic Today; Did Anyone Say "Dreamboat"? | en_US |
dc.title.alternative | Psychedelic-Indian-Guru-New Mexico-Fadeout-Photo-Realism | en_US |
dc.title.alternative | Nice, Hot Vegetables | en_US |
dc.title.alternative | Malibu=Sliding Glass Doors | en_US |
dc.title.alternative | Properties in Hollywood | en_US |
dc.title.alternative | Artists Who Make "Pieces" | en_US |
dc.title.alternative | Thermometers Should Last Forever | en_US |
dc.title.alternative | Those Of Us Who Have Double Parked | en_US |
dc.title.alternative | They Called Her Styrene | en_US |
dc.title.alternative | Lame Theme | en_US |
dc.title.alternative | Honey, I Twisted Through More Damn Traffic Today | en_US |
dc.title.alternative | Did Anyone Say "Dreamboat"? | en_US |
dc.type | Image | en_US |
dc.rights.access | All rights reserved | en_US |
dc.publisher.institution | Repository: Collection of the Artist | en_US |
dc.publisher.institution | Repository: Frederick R. Weisman Art Museum (Minneapolis, Minnesota, USA) | en_US |
dc.publisher.institution | Repository: Collection of Patricia L. Brundage (New York, New York, USA) | en_US |
dc.publisher.institution | Repository: Collection of Lauren Hutton (New York, New York, USA) | en_US |
dc.publisher.institution | Repository: Collection of Susan Brundage (New York, New York, USA) | en_US |
dc.publisher.institution | Repository: Leo Castelli Gallery (New York, New York, USA) | en_US |
vra.culturalContext | American | en_US |
vra.technique | drawing (image-making) | en_US |
vra.worktype | Pastel (visual work) | en_US |
dc.contributor.display | pastelist: Edward Ruscha (American, 1937-) | en_US |