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dc.coverage.temporalcreation date: 1984en_US
dc.creatorCaro, Anthonyen_US
dc.date1984en_US
dc.date.accessioned2008-01-30T20:13:53Z
dc.date.available2008-01-30T20:13:53Z
dc.date.issued1984en_US
dc.identifier113639en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/24042en_US
dc.descriptionOdalisque represents the artist's shift, since the late 1970s, toward more concentrated, solid forms that emphasize volume and weight. It is composed of several massive pieces of rusted steel, some of which are maritime buoys and chains that have been cut apart and joined to abstract elements. There is an elegant dialogue between vertical and horizontal movements, curved and straight lines, and convex and concave forms. Unlike much of his earlier work, which has a single, frontal orientation, this piece has two distinctive views. From the front it is dominated by sharp straight edges and inverted forms, while from the back it is defined by large rounded shapes and arcs. The ample forms and voluptuous curves of this sculpture correspond to the image of a sensuous harem concubine suggested by the title. From Metropolitan Museum of Art website. CD 1/17/2007en_US
dc.descriptionfull viewen_US
dc.format.extent198 x 246 x 162.5 cm (77.95 x 96.85 x 63.98 inches)en_US
dc.format.mediumsteelen_US
dc.relation.ispartof132194en_US
dc.subjectSculpture, Abstracten_US
dc.subjectConstructions (sculpture)en_US
dc.subjectArt, Modern --20th centuryen_US
dc.subjectSculpture, English --20th centuryen_US
dc.titleOdalisqueen_US
dc.typeImageen_US
dc.rights.accessAll rights reserveden_US
dc.publisher.institutionRepository: Metropolitan Museum of Art (New York, New York, United States) ID: 1984.328a-den_US
vra.culturalContextBritishen_US
vra.techniqueconstruction (sculpture)en_US
vra.worktypeSculptureen_US
dc.contributor.displaysculptor: Anthony Caro (English, 1924-)en_US


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