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dc.creatorGérôme, Jean-Léonen_US
dc.date.accessioned2008-01-15T19:58:18Z
dc.date.available2008-01-15T19:58:18Z
dc.identifier038104en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/23804en_US
dc.descriptionAt the end of his career, Gérôme became increasingly interested in polychrome sculpture. The present picture and a life-size marble (Hearst Monument, San Simeon), both executed about 1890, illustrate a story from Ovid's Metamorphoses. The artist chose the moment when the Cypriot sculptor Pygmalion's wish was granted by Venus. The statue of Galatea that he had created came to life and responded to his love. In an interview Gérôme said that he hoped his treatment of the theme would "rejuvenate" a hackneyed subject. He added the apparition of Eros with his bow and arrow, which is not mentioned in Ovid's account of the legend. Comparison of the handling to that of a work of the sixties or seventies will indicate a slightly looser touch and a less precise rendering of form. (Metropolitan Museum of Art, website; 7/13/2005)en_US
dc.descriptionfull viewen_US
dc.format.extent88.9 x 68.6 cm (35 x 27.01 inches)en_US
dc.format.mediumoil painten_US
dc.format.mediumcanvasen_US
dc.relation.ispartof125763en_US
dc.subjectStatuesen_US
dc.subjectPygmalion (Greek mythology)en_US
dc.subjectGalatea, statue brought to life (Greek mythology)en_US
dc.subjectOvid, 43 B.C.-17 or 18 A.D. Metamorphosesen_US
dc.subjectRealism in arten_US
dc.subjectPainting, French --19th centuryen_US
dc.subjectGerome, Jean Leon, 1824-1904en_US
dc.titlePygmalion and Galateaen_US
dc.title.alternativePygmalion et Galatéeen_US
dc.typeImageen_US
dc.rights.accessAll rights reserveden_US
dc.publisher.institutionRepository: Metropolitan Museum of Art (New York, New York, United States) ID: 27.200en_US
vra.culturalContextFrenchen_US
vra.techniquepainting (image-making)en_US
vra.worktypeOil paintingen_US
dc.contributor.displaypainter: Jean-Léon Gérôme (French, 1824-1903)en_US


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