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dc.creatorThrash, Doxen_US
dc.date.accessioned2007-11-02T17:56:39Z
dc.date.available2007-11-02T17:56:39Z
dc.identifier105169en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/22219en_US
dc.descriptionWhile working in Philadelphia's WPA fine print workshop during the 1930s, Dox Thrash developed the Carborundum print or carbograph, a revolutionary technique that brought him national attention. The process involved roughening a metal plate with Carborundum crystals (carbide of silicon) and then burnishing it to achieve a wide spectrum of tonal variations. Actually a composite of several young women rather than a portrait of an individual, Marylou is one of a series of "ideal heads" Thrash completed while perfecting the new medium. His depiction of a little girl happily absorbed in her magazine addresses "the joy of reading," a theme to which he devoted several images. -- From the NMAA website.en_US
dc.descriptionfull viewen_US
dc.format.extent25.4 x 17.5 cm (10 x 6.89 inches)en_US
dc.format.mediumpaper (fiber product)en_US
dc.format.mediuminken_US
dc.relation.ispartof116367en_US
dc.rights(c)Davis Art Imagesen_US
dc.subjectWomen -- Portraitsen_US
dc.subjectAfrican American womenen_US
dc.subjectArt, American --20th centuryen_US
dc.titleMary Louen_US
dc.typeImageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcodePMA-2728en_US
dc.publisher.institutionRepository: Philadelphia Museum of Art (Philadelphia, Pennsylvania, United States) ID: 1942-86-3en_US
vra.culturalContextAmericanen_US
vra.techniquecarborundum mezzotint (printing process)en_US
vra.worktypeEtching (print)en_US
vra.worktypeCarborundum mezzotinten_US
dc.contributor.displayartist: Dox Thrash (American, 1892-1965)en_US


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