| dc.coverage.temporal | creation date: 1911 | en_US |
| dc.creator | Boccioni, Umberto | en_US |
| dc.date | 1911 | en_US |
| dc.date.accessioned | 2007-11-02T17:46:32Z | |
| dc.date.available | 2007-11-02T17:46:32Z | |
| dc.date.issued | 1911 | en_US |
| dc.identifier | 104852 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/22133 | en_US |
| dc.description | Set in a train station, this series of three paintings explores the psychological dimension of modern life's transitory nature. In The Farewells, Boccioni captures chaotic movement and the fusion of people swept away in waves as the train's steam bellows into the sky. Oblique lines hint at departure in Those Who Go, in which Boccioni said he sought to express "loneliness, anguish, and dazed confusion." In Those Who Stay, vertical lines convey the weight of sadness carried by those left behind. | en_US |
| dc.description | full view | en_US |
| dc.format.extent | 70.8 x 95.9 cm (27.87 x 37.76 inches) | en_US |
| dc.format.medium | oil paint | en_US |
| dc.format.medium | canvas | en_US |
| dc.relation.ispartof | 130946 | en_US |
| dc.rights | (c)Davis Art Images | en_US |
| dc.subject | Railroad stations | en_US |
| dc.subject | Trains (Vehicle groupings) | en_US |
| dc.subject | Farewells | en_US |
| dc.subject | Futurism (Art) | en_US |
| dc.subject | Art, Modern --20th century | en_US |
| dc.subject | Painting, Italian --20th century | en_US |
| dc.subject | Loneliness | en_US |
| dc.title | States of Mind II: Those Who Go | en_US |
| dc.type | Image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | MOMA-P0248 | en_US |
| dc.publisher.institution | Repository: Museum of Modern Art (New York, New York, United States) ID: 65.79 | en_US |
| vra.culturalContext | Italian | en_US |
| vra.technique | painting (image-making) | en_US |
| vra.worktype | Oil painting | en_US |
| dc.contributor.display | painter: Umberto Boccioni (Italian, 1882-1916) | en_US |
