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dc.coverage.spatialSite: Prince of Wales Museum of Western India (Mumbai, Mahārāshtra, India) L/82.2/69en_US
dc.coverage.temporal13th century (creation)en_US
dc.creatorunknown (Indian (South Asian))en_US
dc.date1200-1299en_US
dc.date.accessioned2016-08-23T18:14:06Z
dc.date.available2016-08-23T18:14:06Z
dc.date.issued1200-1299en_US
dc.identifier268046en_US
dc.identifier.otherarchrefid: 3398en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/184360
dc.descriptionOverall view; The fourth (of ten) avatara or 'descent' of the Hindu god Vishnu is Narasimha (or Narasingha), the man-lion. Narasimha is most often shown in the episode where he kills the demon Hiraṇyakasipu. In this form, representing divine anger, worship is very formal, sometimes only conducted by lifelong celibates (Brahmacarya). Forms where Narasiṁha appears sitting in a yogic posture, or with the goddess Lakṣmi (Lakshmi) are the exception to this rule, as Narasiṁha is taken as being more relaxed. In this statue from Orissa, Narasimha is shown in a composed, meditative pose, legs crossed in the lotus position with a meditation band around his knees. In his meditative portrayals he is often pictured with a wife or consort; the figure accompanying him in this statue could be his consort Lakshmi. His hands are in the Bhumisparsha mudra position. Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 4/16/2015)en_US
dc.format.mediumblack stoneen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectdeitiesen_US
dc.subjectHinduismen_US
dc.titleNarasimhaen_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode7A2-IN-PWM-SHA-A01en_US
vra.culturalContextIndian (South Asian)en_US
vra.techniquecarving (processes)en_US
vra.worktypesculpture (visual work)en_US
dc.contributor.displayunknown (Indian)en_US


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