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dc.coverage.spatialSite: Musée d'Orsay (Paris, Île-de-France, France) DO 1986 2, S 163en_US
dc.coverage.temporal1898 (creation)en_US
dc.creatorRodin, Augusteen_US
dc.date1898en_US
dc.date.accessioned2016-08-23T18:13:47Z
dc.date.available2016-08-23T18:13:47Z
dc.date.issued1898en_US
dc.identifier267992en_US
dc.identifier.otherarchrefid: 3320en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/184306
dc.descriptionOverall view from below, seen in the Musee d'Orsay main concourse; When the plaster was exhibited at the 1898 Salon the critics went wild, pouring scorn on the formless block. They compared it to a toad in a sack, a statue still wrapped, a block of salt caught in a shower. They nicknamed it the menhir, the snowman. The Société des Gens de Lettres refused to accept this work that broke with all the traditional conventions for a commemorative monument, and that ignored the requirement for a realistic portrait. And so Rodin kept the statue, returned the money, and refused all offers to buy it. It was not until 1939 that a bronze cast was erected in Paris, on the boulevard Raspail. Source: Musée d'Orsay [website]; http://www.musee-orsay.fr/en/ (accessed 8/27/2015)en_US
dc.format.mediumplasteren_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjecthuman figureen_US
dc.subjectliterary or legendaryen_US
dc.subjectportraiten_US
dc.subjectBalzac, Honoré de, 1799-1850en_US
dc.subjectauthoren_US
dc.subjectNineteenth centuryen_US
dc.titleMonument to Balzac [plaster, 1898]en_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode7A1-RA-BALZM-A02en_US
vra.culturalContextFrenchen_US
vra.techniquecasting (process), modeling (forming)en_US
vra.worktypesculpture (visual work)en_US
dc.contributor.displayAuguste Rodin (French sculptor, 1840-1917)en_US


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