| dc.creator | Kruger, Barbara | en_US |
| dc.date.accessioned | 2007-04-30T20:36:51Z | |
| dc.date.available | 2007-04-30T20:36:51Z | |
| dc.identifier | 003111 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/18206 | en_US |
| dc.description | full view, op-ed pages from (top to bottom) December 1, 1995, October 11, 1991, January 7, 1997, and October 11, 1997 | en_US |
| dc.format.medium | paper (fiber product) | en_US |
| dc.format.medium | ink | en_US |
| dc.relation.ispartof | 130118 | en_US |
| dc.relation.ispartof | 130119 | en_US |
| dc.relation.ispartof | 130120 | en_US |
| dc.relation.ispartof | 130121 | en_US |
| dc.subject | Abused children | en_US |
| dc.subject | Newspapers | en_US |
| dc.subject | Women employees | en_US |
| dc.subject | Conceptual art | en_US |
| dc.subject | Feminism in art | en_US |
| dc.subject | Future in art | en_US |
| dc.subject | Family violence | en_US |
| dc.subject | New York times | en_US |
| dc.subject | Language and culture | en_US |
| dc.subject | Art, American --20th century | en_US |
| dc.subject | Sexism in art | en_US |
| dc.subject | Communication | en_US |
| dc.subject | Flynt, Larry | en_US |
| dc.title | Who Will Write the History of Tears? (Op-ed column in the New York Times, December 1, 1995) | en_US |
| dc.title.alternative | Remember Me (Op-ed column in the New York Times, January 7, 1997) | en_US |
| dc.title.alternative | Are We Having Fun Yet? (Op-ed column in the New York Times, December 1, 1995) | en_US |
| dc.title.alternative | The Future Belongs to Those Who Can See It (Op-ed column in the New York Times, October 11, 1997) | en_US |
| dc.type | Image | en_US |
| dc.rights.access | All rights reserved | en_US |
| vra.culturalContext | American | en_US |
| vra.technique | montage | en_US |
| vra.technique | printing | en_US |
| vra.worktype | Montages | en_US |
| vra.worktype | Newspaper column | en_US |
| dc.contributor.display | conceptual artist: Barbara Kruger (American, 1945-) | en_US |
