dc.coverage.spatial | Site: Rijksmuseum (Amsterdam, North Holland, Netherlands) SK-A-4830 | en_US |
dc.coverage.temporal | 1635 (creation) | en_US |
dc.creator | Heda, Willem Claesz. | en_US |
dc.date | 1635 | en_US |
dc.date.accessioned | 2015-01-06T15:07:20Z | |
dc.date.available | 2015-01-06T15:07:20Z | |
dc.date.issued | 1635 | en_US |
dc.identifier | 256086 | en_US |
dc.identifier.other | archrefid: 3082 | en_US |
dc.identifier.uri | http://hdl.handle.net/1721.3/172038 | |
dc.description | Overall view without frame; The range of grey tonalities that Willem Heda could paint is astounding. With this subtle palette, he deftly rendered the objects of pewter, silver, damask, glass and mother-of-pearl on this table. A few yellow and ochre accents compliment this refined interplay of colors. Heda specialized in near monochromatic still lifes, so-called "tonal banquet pieces". Source: Rijksmuseum [website]; www.rijksmuseum.nl/en (accessed 6/12/2014) | en_US |
dc.format.medium | oil paint on panel | en_US |
dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
dc.subject | decorative arts | en_US |
dc.subject | still life | en_US |
dc.subject | Seventeenth century | en_US |
dc.subject | Baroque | en_US |
dc.title | Still Life with a Gilt Cup | en_US |
dc.title.alternative | Stilleven met vergulde bokaal | en_US |
dc.type | image | en_US |
dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
dc.identifier.vendorcode | 7A1-HWC-SKGC-A01 | en_US |
vra.culturalContext | Dutch | en_US |
vra.technique | oil painting (technique) | en_US |
vra.worktype | painting (visual work) | en_US |
dc.contributor.display | Willem Claesz. Heda (Dutch painter, 1594-1680) | en_US |