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dc.coverage.spatialSite: Centre Georges Pompidou (Paris, Île-de-France, France) AM 1710 Sen_US
dc.coverage.temporal1909 (creation); cast 1956 (other)en_US
dc.creatorMatisse, Henrien_US
dc.date1909en_US
dc.date.accessioned2015-01-06T15:07:14Z
dc.date.available2015-01-06T15:07:14Z
dc.date.issued1909en_US
dc.identifier256080en_US
dc.identifier.otherarchrefid: 3008en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/172032
dc.descriptionDetail, of upper torso and head; To help in solving his recurring problem of relating the human figure to a flat background, Matisse executed three life-size reliefs known as The Back I-III (1909, 1913 and 1916). The series of four reliefs which we have become accustomed to see presented together, however, had perhaps not meant to be seen as such by Matisse. As told to Alfred Barr (for writing the monograph published in 1951), he simply forgot the existence of Nu de dos, second state (Back II). This plaster, which remained in his house in Nice, was found after the death of Matisse. All four reliefs were not cast in bronze and displayed as "series" until two years after his death, in 1956, in the retrospective exhibition organized by Jean Cassou. Source: Centre Pompidou [website]; http://www.centrepompidou.fr/en/ (accessed 5/29/2014)en_US
dc.format.mediumbronzeen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectabstractionen_US
dc.subjecthuman figureen_US
dc.subjectTwentieth centuryen_US
dc.titleNude Back [first state]en_US
dc.title.alternativeNu de dos [premier etat]en_US
dc.title.alternativeBack Ien_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode7A1-HM-NDS-A05en_US
vra.culturalContextFrenchen_US
vra.techniquemodeling (forming), casting (process)en_US
vra.worktypebas-relief (sculpture)en_US
dc.contributor.displayHenri Matisse (French sculptor, 1869-1954)en_US


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