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dc.coverage.spatialSite: Centre Georges Pompidou (Paris, Île-de-France, France) AM 1988-67en_US
dc.coverage.temporal1938-1939 (creation)en_US
dc.creatorChagall, Marcen_US
dc.date1938-1939en_US
dc.date.accessioned2015-01-05T21:40:44Z
dc.date.available2015-01-05T21:40:44Z
dc.date.issued1938-1939en_US
dc.identifier256046en_US
dc.identifier.otherarchrefid: 3006en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/171980
dc.descriptionDetail, central portion, couple and folkloric rooster; Chagall’s paintings of the 1920s, such as The Dream (1927), contain a strong element of fantasy already saluted as ‘surnaturel’ in 1914 by the poet Apollinaire. Chagall was invited to join the Surrealists, but he refused to do so, wary of their deliberate involvement with the subconscious mind. Nevertheless, a Surrealistic strain of dreamlike imagery can be said to run through all of his works, including Les mariés de la Tour Eiffel. His work is noted for its consistent use of folkloric imagery, evocations of Russian Jewish village life, and its sweetness of color. Chagall took French citizenship in 1937, but, with his wife Bella, he was forced to seek asylum in the USA in 1941 after he had been briefly imprisoned under the Vichy government in Marseille. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 5/29/2014)en_US
dc.format.mediumoil paint on linen canvasen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjecthuman figureen_US
dc.subjectmarriageen_US
dc.subjectEiffel Toweren_US
dc.subjectTwentieth centuryen_US
dc.titleLes mariés de la Tour Eiffelen_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode7A1-CM-LMTE-A02en_US
vra.culturalContextFrenchen_US
vra.techniqueoil painting (technique)en_US
vra.worktypepainting (visual work)en_US
dc.contributor.displayMarc Chagall (Belorussian painter, 1887-1985)en_US


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