Loplop, le supérieur des oiseaux, effarouche les derniers vestiges de la dévotion en commun
Femme 100 Têtes
| dc.creator | Ernst, Max | en_US |
| dc.date.accessioned | 2007-02-20T21:35:32Z | |
| dc.date.available | 2007-02-20T21:35:32Z | |
| dc.identifier | 107873 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/16602 | en_US |
| dc.description | full view | en_US |
| dc.format.medium | paper (fiber product) | en_US |
| dc.relation.ispartof | 119837 | en_US |
| dc.subject | Religion | en_US |
| dc.subject | Symbolism in art | en_US |
| dc.subject | Art, French --20th century | en_US |
| dc.subject | Prayer | en_US |
| dc.subject | Collage, German | en_US |
| dc.subject | Collage, French | en_US |
| dc.subject | Art, German --20th century | en_US |
| dc.subject | Surrealism | en_US |
| dc.title | Loplop, le supérieur des oiseaux, effarouche les derniers vestiges de la dévotion en commun | en_US |
| dc.title | Femme 100 Têtes | en_US |
| dc.title.alternative | Loplop, bird superior, chases away the last vestiges of group devotion | en_US |
| dc.type | Image | en_US |
| dc.rights.access | All rights reserved | en_US |
| vra.culturalContext | French | en_US |
| vra.culturalContext | German | en_US |
| vra.technique | collage (technique) | en_US |
| vra.worktype | Collage (visual work) | en_US |
| dc.contributor.display | collagist: Max Ernst (German, 1891-1976) | en_US |
