| dc.coverage.spatial | Site: DeCordova Sculpture Park and Museum (Lincoln, Massachusetts, United States) | en_US |
| dc.coverage.temporal | 2000 (creation) | en_US |
| dc.creator | Averbuch, Ilan | en_US |
| dc.date | 2000 | en_US |
| dc.date.accessioned | 2013-12-31T15:36:51Z | |
| dc.date.available | 2013-12-31T15:36:51Z | |
| dc.date.issued | 2000 | en_US |
| dc.identifier | 244966 | en_US |
| dc.identifier.other | archrefid: 2751 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/153404 | |
| dc.description | Detail, etched, frosted glass and wood dancing human form; The intended reference for this piece is French Dada artist Marcel Duchamp's monumental glass work, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (1923), in which a narrative is partly illustrated by similar abstract figures, representing nine prospective bachelors. Averbuch makes indoor and outdoor sculptures in different combinations of common building materials; stone, wood, metal, and glass, frequently recycled. He likes to juxtapose heavy, chunky materials with light fragile materials, appearing to defy gravity.
Source: DeCordova Sculpture Park and Museum; http://www.decordova.org/ (accessed 6/21/2013) | en_US |
| dc.format.medium | etched glass; wood | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction | en_US |
| dc.subject | contemporary (1960 to present) | en_US |
| dc.subject | Twenty-first century | en_US |
| dc.title | Skirts and Pants (after Duchamp) | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-AVI-KAP-A04 | en_US |
| vra.culturalContext | American | en_US |
| vra.technique | construction (assembling), stained glass | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Ilan Averbuch (German sculptor, born 1953) | en_US |
