| dc.coverage.spatial | Site: Farnsworth Art Museum (Rockland, Maine, United States) 99.8 | en_US |
| dc.coverage.temporal | 1996 (creation) | en_US |
| dc.creator | Indiana, Robert | en_US |
| dc.date | 1996 | en_US |
| dc.date.accessioned | 2013-10-17T19:43:24Z | |
| dc.date.available | 2013-10-17T19:43:24Z | |
| dc.date.issued | 1996 | en_US |
| dc.identifier | 238517 | en_US |
| dc.identifier.other | archrefid: 2655 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/146286 | |
| dc.description | Side view (LV); Indiana (full name Robert Indiana Clark) was one of the central figures of American Pop art. His concern for the "spiritual concept" represented by the word LOVE was expressed in paintings such as Love (1966; Indianapolis, IN, Mus. A.) and in related sculptures (e.g. Love, carved aluminium, h. 305 mm, edition of six, 1966; see 1977 exh. cat., p. 24); these became his best-known works, and they came also to be regarded as emblems for the hippie generation of the late 1960s. In 1978 he left New York to settle on the remote island of Vinalhaven off the coast of Maine. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 7/12/2012) | en_US |
| dc.format.medium | polychrome (painted) aluminum | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | contemporary (1960 to present) | en_US |
| dc.subject | typography or calligraphy | en_US |
| dc.subject | Twentieth century | en_US |
| dc.subject | Pop | en_US |
| dc.title | Love | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-IR-L-A5 | en_US |
| vra.culturalContext | American | en_US |
| vra.technique | construction (assembling) | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Robert Indiana (American sculptor, born 1928) | en_US |
