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dc.coverage.spatialSite: Rome, Lazio, Italyen_US
dc.coverage.temporal1662-1675 (creation)en_US
dc.creatorRainaldi, Carloen_US
dc.date1662-1675en_US
dc.date.accessioned2013-05-07T20:23:30Z
dc.date.available2013-05-07T20:23:30Z
dc.date.issued1662-1675en_US
dc.identifier214814en_US
dc.identifier.otherarchrefid: 209en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/122173
dc.descriptionView looking up at the choir dome, on axis; Rainaldi's inventive design for S Maria in Campitelli (1662-1675), his most important work, was free from the influences of his father or any collaborators. The longitudinal axis of the plan is a composite of a series of independent, centralized spaces including a presbytery, shallow transept and Greek-cross nave. This was a clear departure from the traditional Latin-cross plan with side aisles and ambulatory, and it has more in common with the church plans of Palladio and Baldassare Longhena in Venice. The vertical emphasis of the interior is achieved through a forest of free-standing, fluted columns of the Composite order paired with corresponding fluted pilasters. Source: Grove Art Online; http://www.groveart.com/ (accessed 11/4/2007)en_US
dc.format.mediumstoneen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectarchitectural exteriorsen_US
dc.subjectMary, Blessed Virgin, Sainten_US
dc.subjectBaroqueen_US
dc.titleSanta Maria in Campitellien_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode1A1-RC-SC-D9en_US
vra.culturalContextItalianen_US
vra.techniqueconstruction (assembling)en_US
vra.worktypechurchen_US
dc.contributor.displayCarlo Rainaldi (Italian architect, 1611-1691)en_US


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