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dc.coverage.spatialSite: Rome, Lazio, Italyen_US
dc.coverage.temporal1658-1662 (creation)en_US
dc.creatorCortona, Pietro daen_US
dc.creatorAlexander VII, Popeen_US
dc.date1658-1662en_US
dc.date.accessioned2013-04-29T17:10:21Z
dc.date.available2013-04-29T17:10:21Z
dc.date.issued1658-1662en_US
dc.identifier212360en_US
dc.identifier.otherarchrefid: 65en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/119809
dc.descriptionFrontal view, looking slightly up, of the front elevation; S Maria in Via Lata emanates a grave monumentality. Here, in what is now the Via del Corso, Cortona had no space to produce scenographic effects. The planar façade consists of two storeys of the same width with a loggia at each level in the central part, separated from the end bays by pilasters in the lower storey and columns in the upper. Source: Grove Art Online; http://www.groveart.com/ (accessed 12/27/2007)en_US
dc.format.mediummarble; bricken_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectarchitectural exteriorsen_US
dc.subjectBaroqueen_US
dc.titleSanta Maria in Via Lataen_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode1A1-CPD-SV-A5en_US
vra.culturalContextItalianen_US
vra.techniqueconstruction (assembling)en_US
vra.worktypechurchen_US
dc.contributor.displayAlexander VII, Pope (Italian patron, 1599-1667); Pietro da Cortona (Italian architect, 1596-1669)en_US


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