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dc.coverage.spatialSite: Rome, Lazio, Italyen_US
dc.coverage.temporal1667-1672 (creation)en_US
dc.creatorBernini, Gian Lorenzoen_US
dc.creatorRaggi, Antonio, Ien_US
dc.date1667-1672en_US
dc.date.accessioned2013-04-26T20:22:22Z
dc.date.available2013-04-26T20:22:22Z
dc.date.issued1667-1672en_US
dc.identifier211852en_US
dc.identifier.otherarchrefid: 625en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/119338
dc.descriptionAn angel holding Nails, carved by Girolamo Lucenti; In 1667 Pope Clement IX commissioned Bernini to design eight statues of angels holding the symbols of the Passion to be placed over the piers supporting the bridge. All of the figures were designed by Bernini and executed by assistants except for two - the Superscription and the Crown of Thorns which were carved by the artist and his son. They were never installed and copies were made to replace them (the originals were removed to the church of Sant'Andrea delle Fratte.) The others were executed in 1688 by his pupils, including Ercole Ferrata, Pietro Paolo Naldini, Cosimo Fancelli, and Antonio Raggi. At the end towards the castle, the statues of St. Peter and Paul, by the school of Lorenzetto and Paolo Taccone (1464), were set up by Clement VII in 1534. The work was completed in 1672 by Clement X, recorded in an inscription on one of the bases at the north end of the bridge.en_US
dc.format.mediummarbleen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectAngelsen_US
dc.subjectBaroqueen_US
dc.titlePonte Sant'Angelo Angelsen_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode1A1-BG-PA-B4en_US
vra.culturalContextItalianen_US
vra.techniquecarving (processes)en_US
vra.worktypesculpture (visual work)en_US
dc.contributor.displayAntonio Raggi I (Italian sculptor, 1624-1686); Gian Lorenzo Bernini (Italian sculptor, 1598-1680)en_US


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