| dc.coverage.spatial | Site: Sant'Agostino (Rome, Lazio, Italy) | en_US |
| dc.coverage.temporal | 1604-1605 (creation) | en_US |
| dc.creator | Caravaggio, Michelangelo Merisi da | en_US |
| dc.date | 1604-1605 | en_US |
| dc.date.accessioned | 2013-04-23T19:20:21Z | |
| dc.date.available | 2013-04-23T19:20:21Z | |
| dc.date.issued | 1604-1605 | en_US |
| dc.identifier | 210450 | en_US |
| dc.identifier.other | archrefid: 830 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/118475 | |
| dc.description | Madonna dei Pelegrini, detail; Three out of five of the altarpieces that he delivered between 1602 and 1606 were either rejected outright or soon taken down. Only the Entombment (1602-1604; Rome, Pin. Vaticana) for the Vittrice Chapel in the Chiesa Nuova and the Madonna of Loreto (or Madonna of the Pilgrims, 1604-1605; Rome, S Agostino) prospered, both destined to become highly popular devotional works, not least with the poor. Source: Grove Art Online; http://www.groveart.com/ (accessed 1/21/2008) | en_US |
| dc.format.medium | oil paint on canvas | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | New Testament | en_US |
| dc.subject | saints | en_US |
| dc.subject | Mary, Blessed Virgin, Saint | en_US |
| dc.subject | Pilgrims and pilgrimages | en_US |
| dc.subject | Baroque | en_US |
| dc.title | Madonna of Loreto | en_US |
| dc.title.alternative | Madonna dei Pellegrini | en_US |
| dc.title.alternative | Madonna of the Pilgrims | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-C-MP-A3 | en_US |
| vra.culturalContext | Italian | en_US |
| vra.technique | oil painting (technique) | en_US |
| vra.worktype | painting (visual work) | en_US |
| dc.contributor.display | Michelangelo Merisi da Caravaggio (Italian painter, 1571-1610) | en_US |
