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dc.coverage.spatialSite: Santa Maria del Popolo (Rome, Lazio, Italy)en_US
dc.coverage.temporalca. 1488-1491 (creation)en_US
dc.creatorPinturicchio, Bernardinoen_US
dc.creatorSangallo, Antonio da, the youngeren_US
dc.date1488-1491en_US
dc.date.accessioned2013-04-12T16:34:48Z
dc.date.available2013-04-12T16:34:48Z
dc.date.issued1488-1491en_US
dc.identifier207407en_US
dc.identifier.otherarchrefid: 798en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/115307
dc.descriptionGeneral view of the entire chapel, depicting apsidal form; Between 1488 and 1491, again with assistants, Pinturicchio frescoed a ceiling in the palazzo of Cardinal Giuliano della Rovere (1443-1513) and four chapels in the right aisle of S Maria del Popolo, Rome. In the first of these, built for Domenico della Rovere, the Nativity is autograph. Pinturicchio's designs for the grotesques were directly inspired by those on the ceiling of Nero's recently rediscovered Domus Aurea. Source: Grove Art Online; http://www.groveart.com/ (accessed 1/19/2008)en_US
dc.format.mediummarble; stuccoen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectcycles or seriesen_US
dc.subjectNew Testamenten_US
dc.subjectsaintsen_US
dc.subjectMary, Blessed Virgin, Sainten_US
dc.subjectRenaissanceen_US
dc.titleSanta Maria del Popolo, Cappella della Rovereen_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode1A2-I-R-SP-12-A1en_US
vra.culturalContextItalianen_US
vra.techniqueconstruction (assembling) carving (processes) fresco painting (technique)en_US
vra.worktypesepulchral chapelen_US
vra.worktypefresco (painting)en_US
dc.contributor.displayattributed to Antonio da Sangalio the Younger (Italian sculptor, 1484-1546); Bernardino Pinturicchio (Italian painter, ca. 1452-1513)en_US


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