Tomb of Xerxes I
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Name
139173_sv.jpg
Size
634.53 KB
Format
JPEG
Checksum (MD5)
2856bf71903e89e28b11c69af64108c3
Creator(s)
Persian, Islamic
Location
Site: Naqsh-i Rustam (Iran)
Cultural context
Persian
Islamic
Description
Rock-cut tomb. Relief carving above entrance depicts the standing king facing a fire altar with a winged deity above.
"Fire-holders like those at Pasargadae appear in carvings set over the rock-cut tombs of Darius the Great (reg 521–486 bc) and his successors at Naqsh-i Rustam and Persepolis (see fig. 1). There the king stands on a stepped plinth, right hand raised in salutation, before a fire-holder on a similar plinth, from which rises a pyramidal mass of flames. Above hovers a figure in a winged circle, dressed and bearded like the king, whom he faces, one hand raised in the same gesture, the other holding a ring (in Babylonian iconography a symbol of divinity). The winged circle derived ultimately from the winged disc of the Egyptian sun-god Horus, who was manifest in each pharaoh. This had been widely adopted in the Near East as a symbol of power and royalty, the human figure being added in Assyria. For the Achaemenids it probably symbolized both the royal khvarenah, the divine grace that attended kings, and the sun (to which, as a ‘glory’, the khvarenah was linked). In the funerary carvings a Mesopotamian moon symbol (a disc with crescent along its lower rim) is carved behind the figure in a winged circle, so that the king stands reverently before one earthly and two heavenly representatives of cosmic fire. The winged-circle symbol (with and without a human figure) appears also on palace walls and on seals...." [GDAO]
"Fire-holders like those at Pasargadae appear in carvings set over the rock-cut tombs of Darius the Great (reg 521–486 bc) and his successors at Naqsh-i Rustam and Persepolis (see fig. 1). There the king stands on a stepped plinth, right hand raised in salutation, before a fire-holder on a similar plinth, from which rises a pyramidal mass of flames. Above hovers a figure in a winged circle, dressed and bearded like the king, whom he faces, one hand raised in the same gesture, the other holding a ring (in Babylonian iconography a symbol of divinity). The winged circle derived ultimately from the winged disc of the Egyptian sun-god Horus, who was manifest in each pharaoh. This had been widely adopted in the Near East as a symbol of power and royalty, the human figure being added in Assyria. For the Achaemenids it probably symbolized both the royal khvarenah, the divine grace that attended kings, and the sun (to which, as a ‘glory’, the khvarenah was linked). In the funerary carvings a Mesopotamian moon symbol (a disc with crescent along its lower rim) is carved behind the figure in a winged circle, so that the king stands reverently before one earthly and two heavenly representatives of cosmic fire. The winged-circle symbol (with and without a human figure) appears also on palace walls and on seals...." [GDAO]
general view, 2003
Work type
Tomb
Medium
rock
Type
Image
Rights
(c) Melanie Michailidis 2003
Access rights
All rights reserved
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