| dc.coverage.spatial | Site: University of California, Los Angeles (UCLA) (Los Angeles, California, United States) | en_US |
| dc.coverage.temporal | 1923-1925 (creation) | en_US |
| dc.creator | Lipchitz, Jacques | en_US |
| dc.date | 1923-1925 | en_US |
| dc.date.accessioned | 2013-01-29T19:49:18Z | |
| dc.date.available | 2013-01-29T19:49:18Z | |
| dc.date.issued | 1923-1925 | en_US |
| dc.identifier | 189393 | en_US |
| dc.identifier.other | archrefid: 1797 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/97929 | |
| dc.description | Detail, showing the stylized head; In 1917-1918 he abandoned the austere purity that had characterized much of his recent work and created clearly legible Cubist subjects: bathers, musicians, harlequins and still-lifes. The sculpture also reflects Lipchitz’s renewed interest in frontality, an aspect of Egyptian and archaic sculpture that he greatly admired. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 6/12/2009) | en_US |
| dc.format.medium | bronze | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction or non-objective | en_US |
| dc.subject | figural abstraction | en_US |
| dc.subject | Cubism | en_US |
| dc.subject | Twentieth century | en_US |
| dc.subject | Cubist | en_US |
| dc.title | The Bather | en_US |
| dc.title.alternative | Bather | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-LJ-TB-A7 | en_US |
| vra.culturalContext | French | en_US |
| vra.technique | casting (process) | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Jacques Lipchitz (French sculptor, 1891-1973) | en_US |
