| dc.coverage.spatial | Site: Saint Petersburg, Rossiya, Russia | en_US |
| dc.coverage.temporal | 1783-1787 (creation) | en_US |
| dc.creator | Quarenghi, Giacomo | en_US |
| dc.date | 1783-1787 | en_US |
| dc.date.accessioned | 2013-01-29T16:21:41Z | |
| dc.date.available | 2013-01-29T16:21:41Z | |
| dc.date.issued | 1783-1787 | en_US |
| dc.identifier | 188112 | en_US |
| dc.identifier.other | archrefid: 1685 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/96648 | |
| dc.description | View looking under the bridge connecting the theater (left) with the Large Hermitage (right) and looking south along the canal; Quarenghi went to the imperial court at St Petersburg in 1779, at the invitation of Melchior Grimm. Intending to stay only three years, he in fact spent the rest of his life there, with occasional visits home to Italy. His first major work was the Hermitage Theatre (1783-1787), with a façade articulated by the regular rhythm of engaged Corinthian columns and plain walls punctuated by sculptures set in recesses and niches. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 6/16/2009) | en_US |
| dc.format.medium | stone; stucco | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | architectural exteriors | en_US |
| dc.subject | Performing arts | en_US |
| dc.subject | Eighteenth century | en_US |
| dc.subject | Neoclassical | en_US |
| dc.subject | Palladian | en_US |
| dc.title | Hermitage Theatre | en_US |
| dc.title.alternative | Hermitage Theater | en_US |
| dc.title.alternative | Ermitazhnïy teatr | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 1A2-R-SP-H-5-B2 | en_US |
| vra.culturalContext | Russian | en_US |
| vra.technique | construction (assembling) carving (processes) | en_US |
| vra.worktype | theater (building) | en_US |
| dc.contributor.display | Giacomo Quarenghi (Italian architect, 1744-1817) | en_US |
