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dc.coverage.temporalcreation date: 1972en_US
dc.creatorKoolhaas, Remen_US
dc.date1972en_US
dc.date.accessioned2007-09-21T19:38:59Z
dc.date.available2007-09-21T19:38:59Z
dc.date.issued1972en_US
dc.identifier112809en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/21258en_US
dc.descriptionThe City of the Captive Globe is devoted to the artificial conception and accelerated birth of theories, interpretations, mental constructions, proposals and their infliction on the World, It is the capital of Ego where, science art poetry and forms of madness compete under ideal conditions to invent, destroy and restore the world of phenomenal Reality. Each science or mania has its own plot. On each plot stands an identical base, built from heavily polished stone. To facilitate and provoke speculative activity, these bases-idealogical laboratories- are equipped to suspend unwelcome laws, undeniable truths, to create nonexistent, physical conditions. From these solid blocks of granite, each philosophy has the right to expand infidelity toward heaven . Some of these blocks presents limbs of complete certainty and serenity; others display soft structures or tentative conjectures and hypnotic suggestions. The changes in this ideological skyline will be rapid and continuous: a rich spectacle of ethical joy, moral fever or intellectual masturbation. The collapse of one of the towers can mean two things: failure, giving up, or a visual Eureka, a speculative ejaculation: A theory of works. A mania that sticks. A lie that has become a truth. A dream from which there is no waking up. At these moments the purpose of the Captive Globe, suspended at the center of the City, becomes apparent; all these institutes together form an enormous incubator of the World itself; they are breeding on the Globe. Through our feverish thinking in the Towers, the Globe gains weight. Its temperature rises slowly. In spite of the most humiliating setbacks, its ageless pregnancy survives.en_US
dc.descriptionfull viewen_US
dc.format.mediumpaper (fiber product)en_US
dc.format.mediuminken_US
dc.relation.ispartof131404en_US
dc.subjectGlobesen_US
dc.subjectPersonification in arten_US
dc.subjectSkyscrapersen_US
dc.subjectUrban planningen_US
dc.subjectBases (object components)en_US
dc.subjectEarthen_US
dc.subjectArchitectural theoryen_US
dc.subjectIdealism in arten_US
dc.subjectManhattan (New York, N.Y.)en_US
dc.subjectArchitecture, Americanen_US
dc.subjectSpaceen_US
dc.titleThe City of the Captive Globeen_US
dc.typeImageen_US
dc.rights.accessAll rights reserveden_US
vra.culturalContextDutchen_US
vra.culturalContextAmericanen_US
vra.techniquedrawing (image-making)en_US
vra.worktypeDrawing (visual work)en_US
dc.contributor.displaydraftsman: Rem Koolhaas (Dutch, 1944-)en_US


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