| dc.coverage.spatial | Site: Hilversum, North Holland, Netherlands | en_US |
| dc.coverage.temporal | 1931 (creation) | en_US |
| dc.creator | Nicolas, Joep | en_US |
| dc.date | 1931 | en_US |
| dc.date.accessioned | 2015-01-05T21:39:22Z | |
| dc.date.available | 2015-01-05T21:39:22Z | |
| dc.date.issued | 1931 | en_US |
| dc.identifier | 255945 | en_US |
| dc.identifier.other | archrefid: 3089 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/171880 | |
| dc.description | Panel with representations of the sciences and invention; detail, figure reading; Joep Nicolas was widely known as a modern innovator in the medium of stained glass. Among his departures from the traditions that stretched back to the Middle Ages was his decision to allow the lines of lead to be independent of the lines used to render the figures and objects in his compositions. He also moved away from the practice of using a full-scale preparatory drawing, preferring to freely paint the entire glass panel. His most famous windows are in the Oude Kerk, Delft. He also worked in the United States during WWII. | en_US |
| dc.format.medium | colored glass; paint; lead | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction | en_US |
| dc.subject | allegory | en_US |
| dc.subject | cycles or series | en_US |
| dc.subject | decorative arts | en_US |
| dc.subject | human figure | en_US |
| dc.subject | Twentieth century | en_US |
| dc.title | Hilversum Raadhuis Stained Glass | en_US |
| dc.title.alternative | Hilversum City Hall Stained Glass | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-NJOE-THH-A02 | en_US |
| vra.culturalContext | Dutch | en_US |
| vra.technique | stained glass, painting and painting techniques | en_US |
| vra.worktype | stained glass (visual work) | en_US |
| dc.contributor.display | Joep Nicolas (Dutch artist, 1897-1972) | en_US |
