dc.coverage.spatial | Site: Bode Museum (Berlin, Berlin (state), Germany) | en_US |
dc.coverage.temporal | ca. 1500 (creation) | en_US |
dc.creator | unknown (Italian artist) | en_US |
dc.date | 1490-1510 | en_US |
dc.date.accessioned | 2013-12-31T16:15:17Z | |
dc.date.available | 2013-12-31T16:15:17Z | |
dc.date.issued | 1490-1510 | en_US |
dc.identifier | 245328 | en_US |
dc.identifier.other | archrefid: 2733 | en_US |
dc.identifier.uri | http://hdl.handle.net/1721.3/153766 | |
dc.description | Detail, upper right of panel with architectural detail and landscape; The altarpiece is known to have come from Lucca, and was acquired by the museum in 1821. A framed panel painting made of poplar, which is a freestanding altarpiece. According to a historical series published in Picture Frame Magazine, these early "framed panel paintings were made from one piece. The area to be painted was carved out, leaving a raised framing border around the outside edge, like a tray. The whole piece was then gessoed and gilded. Painting the image on the flat panel was the last thing to be done." Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 4/23/2013) | en_US |
dc.format.medium | oil paint; poplar wood; gilding | en_US |
dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
dc.subject | New Testament | en_US |
dc.subject | saints | en_US |
dc.subject | Angels | en_US |
dc.subject | Mary, Blessed Virgin, Saint | en_US |
dc.subject | Renaissance | en_US |
dc.title | Annunciation [from Lucca] | en_US |
dc.title.alternative | Annunciation | en_US |
dc.type | image | en_US |
dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
dc.identifier.vendorcode | 7A3-R-BOM-V-A08 | en_US |
vra.culturalContext | Italian | en_US |
vra.technique | carving (processes), oil painting (technique) | en_US |
vra.worktype | altarpiece | en_US |
vra.worktype | painting (visual work) | en_US |
dc.contributor.display | unknown (Italian artist) | en_US |