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dc.coverage.spatialSite: Bode Museum (Berlin, Berlin (state), Germany) Ident.Nr. 9/59en_US
dc.coverage.temporalca. 1720 (creation); ca. 1750 (base) (alteration)en_US
dc.creatorCametti, Bernardinoen_US
dc.date1710-1730en_US
dc.date.accessioned2013-12-31T16:14:06Z
dc.date.available2013-12-31T16:14:06Z
dc.date.issued1710-1730en_US
dc.identifier245273en_US
dc.identifier.otherarchrefid: 2728en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/153711
dc.descriptionDetail from right side, Diana with one of her hunting hounds; Cametti’s masterpiece is his Diana the Huntress, which was originally located in the centre of a fountain at the Palazzo Orsini in Rome. It combines the elegance of French sculpture with Baroque monumentality. The sculptor was the only Italian artist to enjoy the privilege of having a studio at the Académie Française, Rome. Three decades later, the stone base sculpted as a rocky outcrop with oak branches and a Green Man face was added by Pascal Latour (1702-1756). Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 4/23/2013)en_US
dc.format.mediummarbleen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectmythology (Classical)en_US
dc.subjectArtemis (Greek deity)en_US
dc.subjectDiana (Roman deity)en_US
dc.subjectGreen Man (Tale)en_US
dc.subjecthuntingen_US
dc.subjecthunting dogsen_US
dc.subjectEighteenth centuryen_US
dc.subjectBaroqueen_US
dc.titleDiana the Huntressen_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode7A3-BOM-B-DH-A04en_US
vra.culturalContextItalianen_US
vra.techniquecarving (processes)en_US
vra.worktypesculpture (visual work)en_US
dc.contributor.displayBernardino Cametti (Italian sculptor, ca. 1669-1736)en_US


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