dc.coverage.spatial | Site: Bode Museum (Berlin, Berlin (state), Germany) Ident.Nr. 9/59 | en_US |
dc.coverage.temporal | ca. 1720 (creation); ca. 1750 (base) (alteration) | en_US |
dc.creator | Cametti, Bernardino | en_US |
dc.date | 1710-1730 | en_US |
dc.date.accessioned | 2013-12-31T16:14:06Z | |
dc.date.available | 2013-12-31T16:14:06Z | |
dc.date.issued | 1710-1730 | en_US |
dc.identifier | 245273 | en_US |
dc.identifier.other | archrefid: 2728 | en_US |
dc.identifier.uri | http://hdl.handle.net/1721.3/153711 | |
dc.description | Detail from right side, Diana with one of her hunting hounds; Cametti’s masterpiece is his Diana the Huntress, which was originally located in the centre of a fountain at the Palazzo Orsini in Rome. It combines the elegance of French sculpture with Baroque monumentality. The sculptor was the only Italian artist to enjoy the privilege of having a studio at the Académie Française, Rome. Three decades later, the stone base sculpted as a rocky outcrop with oak branches and a Green Man face was added by Pascal Latour (1702-1756). Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 4/23/2013) | en_US |
dc.format.medium | marble | en_US |
dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
dc.subject | mythology (Classical) | en_US |
dc.subject | Artemis (Greek deity) | en_US |
dc.subject | Diana (Roman deity) | en_US |
dc.subject | Green Man (Tale) | en_US |
dc.subject | hunting | en_US |
dc.subject | hunting dogs | en_US |
dc.subject | Eighteenth century | en_US |
dc.subject | Baroque | en_US |
dc.title | Diana the Huntress | en_US |
dc.type | image | en_US |
dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
dc.identifier.vendorcode | 7A3-BOM-B-DH-A04 | en_US |
vra.culturalContext | Italian | en_US |
vra.technique | carving (processes) | en_US |
vra.worktype | sculpture (visual work) | en_US |
dc.contributor.display | Bernardino Cametti (Italian sculptor, ca. 1669-1736) | en_US |