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dc.coverage.spatialSite: Barcelona, Catalonia, Spainen_US
dc.coverage.temporal1992 (creation)en_US
dc.creatorLlena, Antonien_US
dc.date1992en_US
dc.date.accessioned2013-12-31T15:39:01Z
dc.date.available2013-12-31T15:39:01Z
dc.date.issued1992en_US
dc.identifier245060en_US
dc.identifier.otherarchrefid: 2700en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/153498
dc.descriptionContext view, showing tilted "face" at top of white kite-like mask; The Olympic Village was created over the bones of the Somorrostro neighborhood as part of the residential rezoning for the 1992 Olympic Games, and this sculpture commissioned for the Olympic Village site. However, due to technical problems, it was not inaugurated until a few months after the Games, in December 1992. Llena’s floating, kite-like mask is effortlessly supported on three delicate, twisting tendrils. In the artist’s own words, the sculpture is meant, ghostlike, to evoke the billowing “sheets drying on balconies” of the vanished neighborhood. Hence the symbolism of a triumphant David: the little people have overcome the giant-like powers of urban development. Source: Barcelona Free Art [website]; http://barcelonafreeart.net (accessed 5/23/2013)en_US
dc.format.mediumiron; stainless steel; white painten_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectabstractionen_US
dc.subjectcontemporary (1960 to present)en_US
dc.subjectCity planningen_US
dc.subjectOlympicsen_US
dc.subjectpublic arten_US
dc.subjectTwentieth centuryen_US
dc.titleDavid and Goliathen_US
dc.title.alternativeDavid i Goliaten_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode6A1-LAN-DAG-A01en_US
vra.culturalContextSpanish Catalanen_US
vra.techniquemetalworkingen_US
vra.worktypesculpture (visual work)en_US
dc.contributor.displayAntoni Llena (Spanish sculptor, born 1943)en_US


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