| dc.coverage.spatial | Site: San Carlo ai Catinari (Rome, Lazio, Italy) | en_US |
| dc.coverage.temporal | 1689-1695 (creation) | en_US |
| dc.creator | Gherardi, Antonio | en_US |
| dc.date | 1689-1695 | en_US |
| dc.date.accessioned | 2013-04-09T18:48:38Z | |
| dc.date.available | 2013-04-09T18:48:38Z | |
| dc.date.issued | 1689-1695 | en_US |
| dc.identifier | 204997 | en_US |
| dc.identifier.other | archrefid: 913 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/112698 | |
| dc.description | View looking straight up, full view of cut-off dome with upper left side (note music-making angels and concealed light source); The remainder of Gherardi's career as a painter is marked by this classicizing restraint, often dependent on Bolognese sources. For example, his St Cecilia (1689-1690) in a chapel that he himself designed in the church of S Carlo ai Catinari, still has elements of colour and execution reminiscent of Veronese, but its general conception is based on a Coronation of the Virgin (1607; London, N.G.) by Guido Reni. Source: Grove Art Online; http://www.groveart.com/ (accessed 2/11/2008) | en_US |
| dc.format.medium | stone; marble; stucco; fresco | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | saints | en_US |
| dc.subject | Baroque | en_US |
| dc.title | San Carlo ai Catinari, Cappella di Santa Cecilia | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 1A1-GAN-CC-A1 | en_US |
| vra.culturalContext | Italian | en_US |
| vra.technique | fresco painting (technique) carving (processes) construction (assembling) | en_US |
| vra.worktype | chapel (room or structure) | en_US |
| dc.contributor.display | Antonio Gherardi (Italian architect and painter, 1638-1702) | en_US |
