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dc.coverage.spatialSite: Fontainebleau, Île-de-France, Franceen_US
dc.coverage.temporal1528-1808 (inclusive)en_US
dc.creatorLe Breton, Gillesen_US
dc.creatorDu Cerceau, Jean Androueten_US
dc.creatorSerlio, Sebastianoen_US
dc.creatorPrimaticcio, Francescoen_US
dc.date1528-1808en_US
dc.date.accessioned2013-03-18T17:22:24Z
dc.date.available2013-03-18T17:22:24Z
dc.date.issued1528-1808en_US
dc.identifier200518en_US
dc.identifier.otherarchrefid: 1094en_US
dc.identifier.urihttp://hdl.handle.net/1721.3/108280
dc.descriptionView of the south section of the west elevation of the Cour de la Fontaine; In April 1528 Francis I commissioned Gilles Le Breton for a programme of building (completed 1540) at Fontainebleau. The Cour de l'Ovale was to be rebuilt using the old foundations and retaining the old keep, while a gallery, now the Galerie François I, was to be constructed linking this with the Trinitarian abbey to the west, which was soon demolished and replaced by the Cour du Cheval Blanc. The north range of the Cour du Cheval Blanc survives almost unaltered and is of plastered rubble with brick dressings. The medieval gatehouse (now called the Porte Dorée) in the south-west corner was rebuilt in Renaissance style, based on the entrance to the ducal palace at Urbino. Adjoining the Porte Dorée to the east is the vast Salle de Bal, designed (1541) by Sebastiano Serlio, and next to it in turn is the Chapelle St-Saturnin, on the site of the original medieval chapel. The facades are of an austere simplicity, as the stone used was unsuitable for sculpture, while the interior received rich and permanent decoration. In 1530 Rosso Fiorentino was entrusted with the decorations of the interior, later joined (1532) by Francesco Primaticcio. Together they developed the style of the first Fontainebleau school, in effect the first extensive and consistent display of Mannerism in northern Europe. Louis XIII's major work at Fontainebleau was the addition of the magnificent horseshoe-shaped staircase (1632-1634) in the Cour du Cheval Blanc, designed by Jean Androuet Du Cerceau. When Louis XIV came to the throne (1643) Fontainebleau was by far the finest of his palaces. In 1685 he created the beautiful apartment with white and gold decoration in the Pavillon de la Porte Dorée for Mme de Maintenon, and he also enlarged his own bedroom (1714). Source: Grove Art Online; http://www.groveart.com/ (accessed 2/1/2008)en_US
dc.format.mediumstone; sandstoneen_US
dc.rights© Scott Gilchrist, Archivision, Inc.en_US
dc.subjectarchitectural exteriorsen_US
dc.subjectrulers and leadersen_US
dc.subjectFrancis I, King of France, 1494-1547en_US
dc.subjectLouis XIII, King of France, 1601-1643en_US
dc.subjectMannerist (Renaissance-Baroque style)en_US
dc.subjectRenaissanceen_US
dc.titleChâteau de Fontainebleauen_US
dc.title.alternativeChateau of Fontainebleauen_US
dc.typeimageen_US
dc.rights.accessLicensed for educational and research use by the MIT community onlyen_US
dc.identifier.vendorcode1A2-F-CF-1-C8en_US
vra.culturalContextFrenchen_US
vra.techniqueconstruction (assembling)en_US
vra.worktypechâteauen_US
vra.worktyperoyal palaceen_US
vra.worktypehistoric siteen_US
dc.contributor.displayFrancesco Primaticcio (Italian architect, 1504-1570); Gilles Le Breton (French architect, died 1552); Jean Androuet Du Cerceau (French architect, ca. 1585-1649); Sebastiano Serlio (Italian architect, 1475-ca. 1554)en_US


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