| dc.coverage.spatial | Site: University of Chicago (Chicago, Illinois, United States) | en_US |
| dc.coverage.temporal | 1957 (creation) | en_US |
| dc.creator | Armitage, Kenneth | en_US |
| dc.date | 1957 | en_US |
| dc.date.accessioned | 2013-02-27T15:25:03Z | |
| dc.date.available | 2013-02-27T15:25:03Z | |
| dc.date.issued | 1957 | en_US |
| dc.identifier | 197082 | en_US |
| dc.identifier.other | archrefid: 1587 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.3/104590 | |
| dc.description | Profile view; Armitage's preoccupation was with the human figure, combined with an interest in vertical and horizontal structure. He created small-scale figures, full of droll humour, with broad, flattened bodies, pinheads and sprouting, stick-like limbs. Descended from the figures of Giacometti and Picasso, they gesture, stroll, link arms, roll on their backs or simply sit. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 7/8/2008) | en_US |
| dc.format.medium | bronze | en_US |
| dc.rights | © Scott Gilchrist, Archivision, Inc. | en_US |
| dc.subject | abstraction or non-objective | en_US |
| dc.subject | seated figures | en_US |
| dc.subject | Twentieth century | en_US |
| dc.subject | Modernist | en_US |
| dc.title | Diarchy | en_US |
| dc.type | image | en_US |
| dc.rights.access | Licensed for educational and research use by the MIT community only | en_US |
| dc.identifier.vendorcode | 6A1-AR-D-A3 | en_US |
| vra.culturalContext | American | en_US |
| vra.technique | casting (process) | en_US |
| vra.worktype | sculpture (visual work) | en_US |
| dc.contributor.display | Kenneth Armitage (British sculptor, born 1916) | en_US |
