Browsing Visual Collections by Title
Now showing items 106751-106770 of 171611
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No. 16, Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.8, 1940-1941) -
No. 18
(Repository: Whitney Museum of American Art (New York, New York, USA), 1948-1949) -
No. 18, The migration gained in momentum
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.9, 1940-1941) -
No. 2 (5 Senses)
(Repository: Thomas Ammann (Zurich, Switzerland), 1981) -
No. 2, The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.1, 1940-1941) -
No. 20, In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.10, 1940-1941) -
No. 24, Child labor and a lack of education was one of the other reasons for people wishing to leave their homes
(Repository: Museum of Modern Art (New York, New York, United States) ID: 1928.42.12, 1940-1941) -
No. 26, And people all over the South began to discuss this great movement
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.13, 1940-1941) -
No. 28, The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.14, 1940-1941) -
No. 30, In every home people who had not gone North met and tried to decide if they should go North or not
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.15, 1940-1941) -
No. 32, The railroad stations in the South were crowded with people leaving for the North
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.16, 1940-1941) -
No. 34, The Negro press was also influential in urging the people to leave the South
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.17, 1940-1941) -
No. 36, They arrived in great numbers into Chicago, the gateway of the West
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.18, 1940-1941) -
No. 38, They also worked in large numbers on the railroad
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.19, 1940-1941) -
No. 4, The Negro was the largest source of labor to be found after all others had been exhausted
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.2, 1940-1941) -
No. 40
(Repository: Betty Parsons Gallery (New York, New York, United States), 1949) -
No. 40, The migrants arrived in great numbers
(Repository: Museum of Modern Art (New York, New York, United States) ID: 1928.42.20, 1940-1941) -
No. 42, They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.21, 1940-1941) -
No. 44, Living conditions were better in the North
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.22, 1940-1941) -
No. 46, Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous
(Repository: Museum of Modern Art (New York, New York, United States) ID: 28.1942.3, 1940-1941)
